But, with injuries to the starting line up, the Nationals
decided to call up Harper earlier than expected. How long he’ll stay is
uncertain. All agree that it will
be contingent on his production.
As his Chiefs teammate, Mark Teahen said, “He’s going to have to hit and produce because in the big
leagues it’s all about production.’’
He had his first Sports Illustrated cover when he was 16
with the headline “Chosen One” (June 8, 2009). At 17 he was the number one
draft pick. Now at 19 he has a
record setting contract for a position player, making $9.9 million over five
years. None of these are reason
enough to keep him in Washington.
If he can’t pound the ball and play the field, he’ll be back in Syracuse. This is a familiar formula.
And then, this anomaly. Three days after Harper made his major league debut, the
Tampa Bay Buccaneers signed Rutger’s defensive tackle, Eric LeGrand, as a free
agent. In the torrent of free
agent signings following the NFL draft, most are hardly newsworthy. Having scooped up the players with the
most potential in the seven rounds of the draft, free agency is the realm of
rolled dice and crossed fingers.
But in this case, it was a sure bet, though not one you’d
expect The Buccaneers signed
LeGrand knowing that he would never play a down of football for the team. You see, Le Grand is a quadriplegic,
having fractured two vertebrae in a game against Army on October 16, 2010. At the time, Greg Schiano was the head
coach of Rutgers. Now he is the
head coach of the Buccaneers. On signing him, Schiano explained, “This small
gesture is the least we could do to recognize his character, spirit, and
perseverance. The way Eric lives his life epitomizes what we are looking for in
Buccaneer Men.”
And this is not what we expect. Bryce Harper is the formula we’re familiar with. His longevity
with the Nationals is directly tied to his competence as a ball player. You
earn your spot on the team. It’s
about production. You get what you
deserve. It’s a satisfying
formula. It’s a formula Eric
LeGrande doesn’t fit, even remotely. And, ironically, there is delight in the
unfairness of it all. When justice
rules the day, we feel satisfied.
But when grace takes the scepter, the needle pushes past satisfied to
inspired. These are the stories
that stir our hearts, when effort is not enough and grace steps in to fill the
void.
I believe that the grand arc of history is the gospel, the
story of God’s redemption of fallen mankind. It is the metanarrative that holds all the disparate parts
of history together. It is, not coincidentally,
a story that brings justice and grace together. Justice demands a penalty for
sin. There must be a reckoning for
the shortcomings of men and women.
Perfect justice must address all infractions, from the smallest white
lies to the gravest atrocities.
This is why hell is necessary.
We have broken the moral law and must pay the penalty. But grace allows for another to take
the judgment that I deserve. The penalty must be paid, but a substitute has
volunteered to stand in my place.
This is why the cross is necessary. “(Jesus) himself bore our sins in his body on the cross…by
his wounds you have been healed” (I Peter 2:24). In the gospel, our longing for justice is satisfied and our
delight in grace is stirred.
I wonder if our reaction to these two stories tells us
something about how we are made.
Woven into the fabric of our being are threads of justice and
grace. What is happening on a
macro level in the gospel is continually reiterated on a micro level in our
lives - stories of justice and grace.
These are the themes of the great epics, the blockbuster movies, the
best selling novels. We respond to
these stories because we were designed for them. Intellectually, we want a world that is fair, where everyone
gets what they deserve. Emotionally,
we want a world that is gracious, where everyone gets a little more than they
deserve. Our heads will insist on
justice while our hearts pull us toward grace. Which is why we are satisfied with story of Bryce Harper and
inspired by the story of Eric LeGrand.
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